The film begins with a black screen. We hear a voice-over (the protagonist, John) informing us that it is just a “normal Monday morning” and that his girlfriend is sick again, before it cuts to a shot of him preparing breakfast. Breakfast seems to be an inedible concoction and it becomes apparent that the character doesn’t know what he is doing and is unable to follow a recipe from the book in front of him.
John then begins searching for something – his glasses. The rest of the film then follows his quest to find his glasses, with the eventual realisation that a zombie outbreak has occurred.
The first shot of the film is a close up of John’s as he prepares his inedible meal. This tells the audience that he has no idea what he is doing due to the absurd collection of ingredients. The shot does well to show us his attempt at cooking, while also not showing his face, thus hiding the fact that he is not wearing glasses until he tells us that he is unsure of what he is doing.
He then starts to look for his glasses, checking his head before, for some reason, checking the cupboard and finally his glasses case. After a short search for his glasses, he heads to the bedroom to ask if his girlfriend has any idea where his glasses are. We get a brief shot of his girlfriend in bed, this shot establishes who he is talking to while also showing us the character and her situation. Upon asking his girlfriend where his glasses might be, he gets no real response but suddenly realises that he might have left them at his place of work.
We then cut to a shot of John walking to work. The shot feels unnecessarily shaky, but soon cuts to a different angle. John then stops to chat to his neighbor, Bob. It is immediately obvious to us that Bob is a zombie, but the near-sighted protagonist remains blissfully unaware as he starts a brief one-sided conversation before walking off. The scene sounds rather muffled due to the wind against the microphone, but all dialogue is still audible.
The next shot is a nice shot of John walking down an empty street, the sun behind him as there is a slight lens flare at the very end of the shot. The use of an empty street does well to establish that things are not as they should be. We then cut to a zombie as John walks past, not even aware of the undead right next to him. He continues walking as we zoom out and pan, an effective shot to keep John in view while also revealing the zombies he is unable to see.
We then cut to a shot of John coming out a lift in his office building as we hear the voice in the lift announce the floor. John walks out of the lift and out of shot as we cut to a door. We can clearly see that the door says “Pull” on it, however, due to his lack of glasses, John attempts to push the door first, unable to get through. It is noteworthy that, despite walking through this door everyday to get to work, John is still unaware of how to open it.
He then enters his office and slips on some paper on the floor. The mess of papers and collapsed chairs, in addition to the flickering lights give us the feeling that something bad has happened while also giving the scene a post-apocalyptic feel.
Once John regains himself, he looks around his desk for his glasses to no avail and heads home without checking the rest of his office. We then cut to outside. A wide shot of John on an empty road as he walks past a group of zombies feasting upon a body. John then drops his keys, the noise alerting the group as they get up to go after him. As the group slowly approaches, John feels around for his keys on the ground and, despite briefly touching them at one point, fails to find them quickly. He finally finds his keys, picks them up and moves on just before the zombies reach him, still unaware, apparently unable to hear the group.
We then cut to a disheartened John as he sits on his sofa in defeat. Once seated John realises that his glasses where there all along and puts them on, laughing at himself. As he leans back, we see his girlfriend. who has now turned into a Zombie. John then slowly turns to look at her as we suddenly cut to black and hear Johns horrified scream. This works to keep up suspense as we don’t know what happens to John, but also helps to save time, effort and money on a scene that would probably include some violence and blood.
We then cut to a shot of John walking around his place of work, a body on the floor reminds us of the trouble. There is some calm music in the background as John talks to us via voice over. We see him say hello to his boss (who is a zombie) and take his laptop. We then cut to black and white as John is walking down a hallway with a final voiceover saying that this was his quest for his glasses during the zombie apocalypse as he then raises his fist in the air in victory as the song quickly changes to a more upbeat song. The black and white of the last shot fits well with the voice over and background music and makes the sudden change to a more upbeat song a humorous surprise ending, making the out-of-place ending fit in quite nicely. The freeze frame ending plays homage to The Breakfast Club (1985, Dir. John Hughes) and Butch Cassidy and the Sundance Kid (1969, Dir. George Roy Hill).
The film can be viewed on the showreel page.